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- Interview with Kerry Reed-GilbertEssay5 May 2016
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- Annual Bibliography of Studies in Australian Literature : 1970Essay1 May 1971
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Short NoticesReview1 May 1977
- Lawson’s Joe Wilson : A Skeleton NovelEssay1 June 1964
- Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya DalziellReview3 December 2018
- Review of *Harry Heathcote of Gangoil: A Tale of Australian Bush Life* by Anthony Trollope; with an Introduction by Marcus MuirReview1 June 1964
- Kenneth Slessor and the GrotesqueEssay1 December 1964
- *The Hibernian Father*: Mysteries Solved and UnsolvedEssay1 June 1967