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A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Two Lost Poems by Henry Lawson about the Boer War

*Under Twenty-Five* and the ‘Lost’ Stories of Murray Bail and Peter Carey

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Review of *This Crazy Thing a Life: Australian Jewish Autobiography*, by Richard Freadman

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

Henry Kingsley: *Ravenshoe*

D. H. Lawrence’s Australia

Review of *Vance Palmer* by Harry Heseltine

Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*

Anthologies and Orthodoxies

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Dreams and Visions in *The Tree of Man*

Ways of Seeing : Henry Lawson’s ‘Going Blind’

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Dramatising the Self: Beverley Farmer’s Fiction

Australian Literary and Scholarly Publishing in Its International Context

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader