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Dramatising the Self: Beverley Farmer’s Fiction

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Man, Work and Country: The Production of Henry Lawson

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Australian Literary and Scholarly Publishing in Its International Context

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Criminal Transport: George Barrington and the Colonial Cure

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Of Sages and Sybils: Alec Hope and Judith Wright

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Friendship in a Time of Loneliness

Elizabeth Jolley’s Late Work