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- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- The Solitariness of Alex MillerEssay1 May 2004
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999