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Mudrooroo: Crafty Imposter or Rebel with a Cause

‘untranscended / life itself’: The Poetry of Pam Brown

‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku Versions

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

Miles Franklin and ‘The Survivors’

‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s Readers

Charismatic Masculinity in David Malouf’s Fiction

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Introduction: Writing Disability in Australia

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

**The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*