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‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Not Reading the Nation: Australian Readers of the 1890s

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Tainted Testimony : The Khouri Affair

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Friendship in a Time of Loneliness

Generations Lost and Found: Reading Women Writers Together

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

Delight and Revolution: Literary Studies, Aesthetics and Ideology

The Politics of English Studies in India

Amanda Lohrey's *Vertigo*: An Australian Pastoral

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Grievous Music: Randolph Stow’s Middle Ages

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Writing Places in the Spaces of AI

Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital Decade

Review by Craig Munro