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Setting the Record Straight: Bibliography and Australian Literature

‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’

Some Major Themes in the Novels of Katharine Susannah Prichard

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Becoming Native: Australian Novelists and the New Zealand Wars

Mudrooroo: Crafty Imposter or Rebel with a Cause

‘untranscended / life itself’: The Poetry of Pam Brown

‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku Versions

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

Miles Franklin and ‘The Survivors’

‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s Readers

Charismatic Masculinity in David Malouf’s Fiction

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Introduction: Writing Disability in Australia

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

**The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**