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- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- The Fiction of Gabrielle LordEssay1 October 1999
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- An Indian without a CountryEssay1 June 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Historiography in Melbourne in the Eighteen Seventies and EightiesEssay1 October 1969