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Daniel Deniehy: A Checklist of Writings and Speeches

Louisa and Henry and Gertie and the Drover’s Wife

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Australian Literary and Scholarly Publishing in Its International Context

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

The Fiction of Gabrielle Lord

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

In His Own Sweet Time: Carmen’s Coming Out

Reading Carey Reading Malley

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Mid-Victorian Reading and the Antipodes

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

An Indian without a Country

Tainted Testimony : The Khouri Affair

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*