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- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Some Mary Gilmore LettersEssay1 October 1972
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- An Absence of PartisanshipReview1 May 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021