The ‘Dark’ Element in Hugh McCrae

Abstract

In some of the well-known poems there is a strength and muscularity which belies the delicacy of 'Colombine', the homely bliss of 'the yellow pleasure of candle-light' and the faery lyricism of so many of the poems in the early Satyrs and Sunlight. 'Tantacalladon', 'Mandragore' and 'Ambuscade' have this forceful quality, as do some of the ballads in more restrained form—'Red John of Haslingden' for instance. It appears as a diffuse and vague evil force in his recognition of and concern with the inevitability of transience and decay; at times it is more vigorous and is unleashed in the form of terror, cruelty and ferocity.

The full text of this essay is available to ALS subscribers

Please sign in to access this article and the rest of our archive.

Published 1 October 1973 in Volume 6 No. 2. Subjects: Emotions, Introspection & introversion, Literary portrayal, Poetic techniques, Hugh McCrae.

Cite as: Webb, John. ‘The ‘Dark’ Element in Hugh McCrae.’ Australian Literary Studies, vol. 6, no. 2, 1973, doi: 10.20314/als.fe4a27a6db.