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- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- A Mate in PublishingEssay1 November 1994
- ‘My Little Ghost-Slave’: The Queer Lives of Rosa PraedEssay1 October 1996
- Honi Heke: The Maori as Aboriginal Hero in Australian Colonial PoetryEssay1 May 1993
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- An Interview with Tim WintonEssay1 October 1996
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- ‘Greetings to the Angry Penguins’: Ern Malley, Harry Roskolenko and USA ConnectionsEssay1 May 1996
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- The Suburban Problem of EvilEssay1 November 1998
- John Foulcher’s DemocracyEssay1 October 1999
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005