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- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Review of *David Malouf*, by Don RandallReview1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- Review of *City Bushman: Henry Lawson and the Australian Imagination*, by Christopher LeeReview1 October 2005
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Review of *Intimate Horizons: The Post-Colonial Sacred in Australian Literature*, by Bill Ashcroft, Frances Devlin-Glass, and Lyn McCreddenReview1 June 2011
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Review of *The Burning Library: Our Great Novelists Lost and Found*, by Geordie WilliamsonReview1 November 2012
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022