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A New Map of Australia: The Plays of David Williamson

Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Anthologies and Orthodoxies

Family and the Father in the Poetry of Les A. Murray

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Reopening the Case of Ada Cambridge

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Marcus Clarke and the Theatre

Truth beyond the Language Game: The Poetry of Gwen Harwood

The Craftsmanship of Lawson Revisited

‘Maurice Guest’ and the Siren Voices

Dreams and Visions in *The Tree of Man*

Kate Baker, ‘Standard-Bearer’

Daniel Deniehy: A Checklist of Writings and Speeches

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*