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The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

John Grant: Australia’s First ‘Really’ Radical Poet

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

**‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

‘That Wild Run to London’ : Henry and Bertha Lawson in England

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Words, Sticks and Stones: Keneally, Literature and Social Impact

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Review of Letters of Norman Lindsay