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- Les Murray: A Selective ChecklistEssay1 October 2001
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- The Telling of Marmel’s StoryEssay1 June 2009
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- The Politics of English Studies in IndiaEssay1 June 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013