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Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

The Hero’s ‘Fear of Freedom’ in Keneally

A.D. Hope and the Poetry of Allusion

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

Themes and Imagery in *Voss* and *Riders in the Chariot*

Shaw Neilson’s Poetry

Henry Kingsley: *Ravenshoe*

Xavier Herbert: *Capricornia*

D. H. Lawrence’s Australia

‘Colonial Literature for Colonial Readers!’

Australian Prose Literature of the First World War : A Survey

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

David Campbell’s Poetic Mind