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- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- A Paperback Canon: The Australian Pocket LibraryEssay1 May 2000
- Setting the Record Straight: Bibliography and Australian LiteratureEssay1 October 2003
- ‘One of Them Kinds of Kids’: The Lives of Les MurrayEssay1 May 2002
- On Not Being Australian: Mudrooroo and DemidenkoEssay1 October 2004
- My Brilliant Career and RadicalismEssay1 October 2002
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary AustraliaEssay1 June 2013
- Charismatic Masculinity in David Malouf’s FictionEssay1 May 2010
- Bibliographic Notes on Selected Irish-Australian WritersEssay30 September 2021
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020