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Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Review of *The Space Between: Australian Women Writing Fictocriticism*, edited by Heather Kerr and Amanda Nettelbeck, and *Jamming the Machinery: Contemporary Australian Women's Writing*, by Alison Bartlett.

Review of *The Intimate Empire: Reading Women's Autobiography*, by Gillian Whitlock

Dorothy Hewett’s Faith in Doubt

Review of *Australian Short Fiction: A History*, by Bruce Bennett

Brereton, the *Bulletin*, and A.G. Stephens

Review of *Timepieces*, by Drusilla Modjeska

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’

Elizabeth Jolley’s Late Work

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Review of *Lighting Dark Places: Essays on Kate Grenville*, edited by Sue Kossew

Beyond Capricornia: Ambiguous Promise in Alexis Wright

Authors’ Statements [Elizabeth Jolley]

Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael Weaver

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

A Note on A.C.’s *Echoes* and Ada Cambridge

Daemonic Currents in Dorothy Porter’s Poetry

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy