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- Review of *The Intimate Empire: Reading Women's Autobiography*, by Gillian WhitlockReview1 October 2000
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Review of *Australian Short Fiction: A History*, by Bruce BennettReview1 May 2003
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- Review of *Timepieces*, by Drusilla ModjeskaReview1 May 2004
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Review of *Lighting Dark Places: Essays on Kate Grenville*, edited by Sue KossewReview1 June 2011
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- A Note on A.C.’s *Echoes* and Ada CambridgeEssay1 October 2012
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Review of *Angus & Robertson and the British Trade in Australian Books, 1930-1970. The Getting of Bookselling Wisdom*, by Jason D. EnsorReview1 October 2014
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986