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- American Dreaming : The Fictions of Peter CareyEssay1 October 1986
- Murnane, Husserl, Derrida: The Scene of WritingEssay1 October 1989
- An Interview with Chris Wallace-CrabbeEssay1 October 1996
- The British Tradition in John Morrison’s Radical NationalismEssay1 May 2002
- ‘One of Them Kinds of Kids’: The Lives of Les MurrayEssay1 May 2002
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- Joyce Eyre and Australian Literature at the University of TasmaniaEssay1 November 2008
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024