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- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009