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- Patrick White’s Studies for *Voss*Essay30 September 2022
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Terms of Ambivalence: Cultural Politics and Symbolic ExchangeEssay1 November 2010
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- Annual Bibliography of Studies in Australian Literature : 1971Essay1 May 1972
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- The Drowned World of Kenneth SlessorEssay1 May 2001
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- Folie, Topography and Family in Murray’s Middle-Distance PoemsEssay1 October 2001
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004