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- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- ‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative LifeEssay1 May 2009
- Gender ButtonsEssay1 November 2009
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- ‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel TurnerEssay1 October 2010
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014