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Mal du Pays: Symbolic Geography in the Work of Randolph Stow

**Aboriginal Mobilities and Colonial Serial Fiction**

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

William Hay and History : A Comment on Aims, Sources and Method

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

Facey’s A Fortunate Life and Traditional Oral Narratives

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

Patrick White’s *A Fringe of Leaves*: History and Fiction

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

Official Criticism? Critical Practices and Australian Poetry

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Gender Buttons

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement