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Teaching the Value of Literature (and Other Paradoxes)

Introduction

Patrick White’s Four Plays

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

Mid-Victorian Reading and the Antipodes

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Grievous Music: Randolph Stow’s Middle Ages

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

The Sources of *His Natural Life*

Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’

Research in Progress in Australian Literature [1983]

Review of *The Archibald Paradox: A Strange Case of Authorship* by Sylvia Lawson

Review of *The Australian Short Story: An Anthology from the 1890s to the 1980s*; *The Australian Short Story 1940-1980: A bibliography*; and *Lines of Implication: Australian Short Fiction from Lawson to Palmer*

Review of *Hot Copy: Reading and Writing Now* by Don Anderson; *Yacker: Australian Writers Talk About Their Work* by Candida Baker; and *Rooms of their Own* by Jennifer Ellison

Christina Stead’s ‘Drama of the Person’

John Manifold: Poet At Cambridge