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‘But who considers woman day by day?’: Australian Women Poets and World War I

Henry Lawson and the ‘Pinker of Literary Agents’

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Gender Buttons

Manifesting Literary Feminisms: Nexus and Faultlines

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Romantic Attitudes in *Geoffry Hamlyn*

The Text of Lawson’s Prose

More Substance to Fisher’s Ghost?

The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*

Australia’s ‘First’ Dramatists

Burke and Wills and the Colonial Hero: Three Poems

'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?