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- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- Repairing Rationality: Max Bense and the Automation of Literature in Post-War GermanyEssay22 December 2025
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Patrick White’s Novels and NietzscheEssay1 May 1980
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005