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The Golden Fish: On Reading J. S. Harry

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

Review of *London Was Full of Rooms*, edited by Tully Barnett, Nena Bierbaum, Syd Harrex, Rick Hosking and Graham Tulloch

The Eco-Humanities as Literature: A New Genre?

Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela Bennie

Review of *The Higher Self in Christopher Brennan's Poems: Esotericism, Romanticism, Symbolism* by Katherine Barnes

Elizabeth Jolley’s Late Work

Generations Lost and Found: Reading Women Writers Together

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Review of *The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry*, by David Brooks

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

Review of *J. M. Coetzee and the Limits of Cosmopolitanism*, by Katherine Hallemeier

Authors’ Statements [Elizabeth Jolley]

Authors’ Statements [Peter Carey]

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Review of Serious Frolic: Essays on Australian Humour, edited by Fran de Groen and Peter Kirkpatrick

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

The ‘Hollowness’ of English? A Case for Narratology