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Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

Patrick White’s *A Fringe of Leaves*: History and Fiction

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

Official Criticism? Critical Practices and Australian Poetry

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Gender Buttons

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

The Asian Conspiracy: Deploying Voice/Deploying Story

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism