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- The Lemurian NinetiesEssay1 May 1978
- Jimmy Governor and Jimmie BlacksmithEssay1 May 1979
- Australian and New Zealand FictionReview1 May 1980
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Anzac, Literary Genre and MemoryEssay1 October 1996
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- A Paperback Canon: The Australian Pocket LibraryEssay1 May 2000
- How to Use a Street Directory: Detail and Knowledge in the Work of Alan WearneEssay1 November 1998
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary AustraliaEssay1 June 2013
- Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip ButterssReview1 November 2013
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992