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- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- The Writing of CapricorniaEssay1 May 1970
- Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla ModjeskaReview1 May 1983
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- ‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly TippingEssay1 May 1988
- D.H. Deniehy as a Critic of Colonial LiteratureEssay1 May 1980
- The Design of ‘For the Term of His Natural Life’Essay1 October 1974
- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- An Interview with Tim WintonEssay1 October 1996
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990
- A Paperback Canon: The Australian Pocket LibraryEssay1 May 2000
- Some Major Themes in the Novels of Katharine Susannah PrichardEssay1 June 1963
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- Editing ALS: A MemoirEssay1 June 2013
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021
- Inner Voices and the First CoilEssay1 October 1979
- Havelock Ellis’s Australian IdyllEssay1 June 1967