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- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- The One-Actor Play in Australian DramaEssay1 May 1981
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Reading DickensEssay1 October 2014
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013