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- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Asia and the Contemporary Australian NovelEssay1 October 1984
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- A New Version of Pastoral: Developments in Michael Wilding’s FictionEssay1 October 1983
- [Statements about War Literature]Essay1 October 1985
- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Elizabeth Jolley’s Late WorkEssay1 May 2009