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- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Means and Ends in WritingEssay1 October 1979
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- Truth beyond the Language Game: The Poetry of Gwen HarwoodEssay1 May 1976
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006