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- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Counter-PoeticsEssay1 June 2011
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012