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Poetry and Politics in Oodgeroo: Transcending the Difference

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

Transgressing Language?: The Poetry of Ania Walwicz

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

Tainted Testimony : The Khouri Affair

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

The ‘Hollowness’ of English? A Case for Narratology

Amanda Lohrey's *Vertigo*: An Australian Pastoral

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Picturising Patois in *The Sentimental Bloke*

Charles Rowcroft, For Example

Two Bibliographies : Hal Porter and Patrick White

Australian Poetry of the First World War: A Survey

Review of *Christina Stead* by R. G. Geering

Review of *Witnesses of Spring: Unpublished Poems* by Shaw Neilson

Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*