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Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous Author

An Interview with Thomas Shapcott

The British Tradition in John Morrison’s Radical Nationalism

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles

‘One of Them Kinds of Kids’: The Lives of Les Murray

Roy Bridge’s Fictions of Van Diemen’s Land

Judith Wright and the Temporality of Composition

Joyce Eyre and Australian Literature at the University of Tasmania

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Jolley’s Women

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Conceptualising Irish-Aboriginal Writing

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception