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Jack Lindsay’s Historical Writings

A.G. Stephens: The Critical *Credo*

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

‘This Country is My Mind’: Les Murray’s Poetics of Place

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Means and Ends in Writing

The Making of Thomas Keneally

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Society and Nature in Such is Life

The Surrender to Truth in The Early Australian Novel

Folksong - A Protest

Henry Kingsley: *Ravenshoe*

Barbara Baynton: Woman as ‘The Chosen Vessel’

Asian Stereotypes in Recent Australian Plays

Ripping Yarns, Ideology, and *Robbery Under Arms*

Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth Century