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Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

Valerie Solanas and the Limits of Speech

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

The Politics of English Studies in India

Disciplined Action? The Challenges of English at Canterbury and Beyond

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Cosmopolitanism, Sovereignty and Medievalism

In the Club: Australian Crime Fiction in the USA 1943-1954

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Phonographic Books and the Late Nineteenth-Century Reader

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit