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- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- The Sun’s Fish Dreaming : The Poetry of Andrew TaylorEssay1 May 2004
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007