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‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Politics and Passion in Stead’s Late Novels

Displaced Homelands in Gerald Murnane’s *Inland*

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

Recentring Water: Thinking with the Chain of Ponds

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Jack Lindsay’s Historical Writings

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

What Created, What Perceived?: Early Responses to New South Wales

Fred J. Broomfield: Research Assistant Extraordinaire

‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Short Story Anthologies and ‘the Solid Body of Australian Fiction’

Society of Women Writers 1925-1935

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Demidenko/Darville: A Ukrainian-Australian Point of View

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Henry Lawson and the ‘Pinker of Literary Agents’