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- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Friendship in a Time of LonelinessEssay1 May 2009
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- The Politics of English Studies in IndiaEssay1 June 2013
- The Impact of LiteratureEssay1 November 2013
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice GuestReview1 October 1979