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‘Roost High and Crow Low’: The Legacy of Barry Andrews

The Artful Man: Theory and Authority in Brian Castro’s Fiction

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

In His Own Sweet Time: Carmen’s Coming Out

Brereton, the *Bulletin*, and A.G. Stephens

‘Talking with Yagan’s Head’: The Poetry of John Mateer

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Professing the Popular: Political Fiction circa 2006

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Eco-Humanities as Literature: A New Genre?

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Elizabeth Jolley’s Late Work

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print Culture

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862