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Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Australian Gothic: Theatre and the Northern Turn

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Politics and Passion in Stead’s Late Novels

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Means and Ends in Writing

William Baylebridge : Man’s Voice Proclaiming Man

Annual Bibliography of Studies in Australian Literature: 1967

The Development of an Egalitarian Poetics in the Bulletin, 1880-1890

Barry Oakley and the Satiric Mode

Urban Influence on Australian Literature in the Late Nineteenth Century

Truth beyond the Language Game: The Poetry of Gwen Harwood

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

The Company She Keeps: Demidenko and Imposture in Autobiography