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Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

Delight and Revolution: Literary Studies, Aesthetics and Ideology

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Grievous Music: Randolph Stow’s Middle Ages

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

A.G. Stephens: The Critical *Credo*

Folie, Topography and Family in Murray’s Middle-Distance Poems

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Irish-Australian Literature: Ghosts, Genealogy, Tradition

‘Our Literary Connexion’: Rosa Praed and George Bentley

A Lady’s Letter from London: 1873-1908

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*