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Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Bruce Dawe and the Americans

Louis Stone’s ‘Jonah’ : A Cinematic Novel

History and Fiction in Rolf Boldrewood’s *The Miner’s Right*

The Development of an Egalitarian Poetics in the Bulletin, 1880-1890

Miles Franklin on Dearborn Street, Chicago, 1906-15

Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

Selective Bibliography of the Contemporary Australian Short Story

Bruce Dawe and Frank Sargeson : Speaking in Other Voices

From the Sudan to Saigon: A Critical Review of Historical Works

Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*

The Sites of War in the Fiction of Thomas Keneally