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- Review of *Robert D. FitzGerald* by A. Grove DayReview1 May 1975
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Review of *J. M. Coetzee and the Limits of Cosmopolitanism*, by Katherine HallemeierReview1 June 2014
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- The Text of Lawson’s ProseEssay1 December 1966
- The Palmer Abridgement of ‘Such is Life’Essay1 October 1978
- The Language of Australian LiteratureEssay1 June 1967
- Review of books by Brenda Niall, Harry Heseltine, Mary Lord and R.G. GeeringReview1 October 1974
- Henry Kendall’s ReligionEssay1 May 2002
- Review of *Backgazing: Reverse Time in Modernist Culture* by Paul GilesReview30 September 2022
- Still Life: Art and Nature in Vivian Smith’s PoetryEssay1 October 1995
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- Kenneth SlessorEssay1 October 1971
- Hollow Men’s Country: Review of Kim Scott, *True Country*Review1 May 1994
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023