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- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Reading EnglishEssay1 June 2013
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- Reading DickensEssay1 October 2014
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012