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- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Marcus Clarke and the TheatreEssay1 May 1975
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Some Mary Gilmore LettersEssay1 October 1972
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- Out of Context: A Study of Thomas Keneally’s NovelsEssay1 May 1969
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Afterword: The Story of a BookmarkEssay1 June 2013
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010