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Thoughts on Some Recent Poetry

Louisa and Henry and Gertie and the Drover’s Wife

Gossip and History in the Novels of Brian Penton and Thomas Keneally

The Short Story Cycles of Frank Moorhouse

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Ern Malley and His Rivals

Excavating a Bonanza: Sarah Campion

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

*Geoffry Hamlyn* and Its Australian Setting

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

The Telling of Marmel’s Story

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*