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- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- Coetzee’s WomanizingEssay25 February 2018
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- Helen Garner’s EducationEssay28 October 2021
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- H. G. Wells in AustraliaEssay30 May 1990