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Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Good Readers and Good Citizens: Literature, Media and the Nation

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Demidenko/Darville: A Ukrainian-Australian Point of View

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

Unknown Australia: Rosa Praed’s Vanished Race

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

‘Phrases Between Us’: The Poetry of Anna Wickham

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Remembering the War: Australian Novelists of the InterWar Years

Gender Buttons

The Time of Biopolitics in the Settler Colony

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

The Asian Conspiracy: Deploying Voice/Deploying Story

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

Beatrice Davis and ‘The Sacredness of the Printed Word’